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Palestinian embroidery : ウィキペディア英語版
Palestinian costumes

Palestinian costumes are the traditional clothing worn by Palestinians. Foreign travelers to Palestine in the 19th and early 20th centuries often commented on the rich variety of the costumes worn, particularly by the fellaheen or village women. They remarked on the Jewish communities and the Arab communities and embroidery, as elsewhere in the Middle East and Europe was a popular past-time by women.
Many of the handcrafted garments were richly embroidered and the creation and maintenance of these items played a significant role in the lives of the region's women.
Palestinian mythology has tales of a Palestinian culture dating back to ancient times, although there is no proof of this and there are no surviving clothing artifacts from this early period against which the modern items might be definitively compared. Influences from the various empires to have ruled Palestine, such as Ancient Egypt, Ancient Rome and the Byzantine empire, among others, have been documented by scholars largely based on the depictions in art and descriptions in literature.
Until the 1940s, traditional Palestinian costumes reflected a woman's economic and marital status and her town or district of origin, with knowledgeable observers discerning this information from the fabric, colours, cut, and embroidery motifs (or lack thereof) used in the apparel.
==Social and gender variations==
Traditionally, society in the Holy Land was divided into three groups: villagers, townspeople, and Bedouins.
The villagers, referred to in Arabic as ''fellaheen'', lived in relative isolation, so that the older, more traditional costume designs were found most frequently in the dress of village women. The specificity of local village designs was such that, "A Palestinian woman's village could be deduced from the embroidery on her dress."〔Weir, 1989, p. 68.〕 as women gathered in unions and groups and developed the skill together.
Townspeople, (Arabic: ''beladin'') had increased access to news and an openness to outside influences that was naturally also reflected in the costumes, with town fashions exhibiting a more impermanent nature than those of the village. By the early 20th century, well to-do women (and men) in the cities had mostly adopted a Western style of dress. Typically, Ghada Karmi recalls in her autobiography how in the 1940s in the wealthy Arab district of Katamon, Jerusalem, only the maids, who were local village women, donned traditional dresses.
Due to their nomadic life-style, Bedouin costume reflected tribal affiliations, rather than their affiliations to a localized geographic area.
As in most of the Middle East, clothing for men had a more uniform style than women's clothing.
In 1878, an Ottoman law granted lands in Palestine to the Moslem refugees from Bosnia and Herzegovina in the Carmel region, in the Galilee and in the Plain of Sharon and in Caesarea. The influx of these people as well as the Circassians, Armenians and others from the Ottoman Empire had a great influence on local clothing.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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